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WULOLIFE

What is Cinema? Author: André Bazin Publisher: Huazhong University of Science and Technology Press

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Description

Introduction · · · · · ·

About the Author · · · · · ·

Andre Bazin

1918-1958

One of the founders of Cahiers du Cinema, a famous French film theorist and critic, he is known as the "Father of the New Wave". His high-quality film reviews published in the 1940s and 1950s were compiled into a four-volume book, What is Cinema?, which has become a classic work and important textbook in the history of film theory and a cornerstone of the development of realistic film theory after World War II. Bazin advocated realistic aesthetics, discovered and expounded the important value of Italian neo-realist directors, expounded the dialectical relationship between montage and depth of field in film language, enriched and summarized the auteur theory. It can be said that "today's French film was born from Bazin's thoughts and explorations" (François Truffaut).

Table of contents · · · · · ·

Volume 1 Ontology of Photographic Images The Myth of the Perfect Film The Evolution of Film Language The Evolution of Editing Methods since the Advent of Sound Films The Advantages and Disadvantages of Montage A Defense of Impure Films Drama and Film (I)
Drama and Film (II)
Diary of a Country Priest and the Style of Robert Bresson Charlie Chaplin Films and Adventure Painting and Film Volume 2 An Aesthetics of Reality: New Realism The Earth Trembles
The Bicycle Thief
De Sica: a master of mise-en-scène The Tears of the Dead: a masterpiece Nights of Cabiria: the end of neorealism In defense of Rossellini The myth of Mr. Verdoux The Great Western, or the death of Molière The Great Western, or the evolution of the typical American film The entomological analogy of the pin-up girl The Outlaw
Annotation for Eroticism in the CinemaThe fate of Jean GabinThe Tears of the Dead: a masterpieceNights of Cabiria: the end of neorealismThe reality of pseudo-melodramaThe world beyondThe revolution of narrativeThe moment of eye contactDefense of RosselliniThe myth of Mr. Verdoux, or the death of MolièreThe great westerns, or the typical American filmThe evolution of the westernThe entomological analogy of the pin-up girlDefinition and morphologyThe metamorphosis of the pin-up girlThe philosophy behind the pin-up girlThe pin-up girl and the film The Outlaw
Annotations for the book Erotica in Film
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