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"Back to the Future" Subtitle: History and Society on the Screen Author: Dai Jinhua/ Wang Yan Publisher: Life·Reading·New Knowledge Sanlian Bookstore
"Back to the Future" Subtitle: History and Society on the Screen Author: Dai Jinhua/ Wang Yan Publisher: Life·Reading·New Knowledge Sanlian Bookstore
Description
Introduction · · · · · ·
Seven in-depth conversations between famous film scholars Dai Jinhua and Wang Yan on film issues. Through vivid and sharp collisions of ideas and texts, they place individual memories and screen reality in the turbulent and ever-changing historical flow of the 20th century, revealing to readers the puzzles, reflections, challenges and hopes that film, as a special narrative language, brings in the process of "writing history" and "presenting memory". We will see that the narration of history is also a sketch of the future and the key to unlocking the imagination of the future; in the end, film will continue to return to the future with us.
About the Author · · · · · ·
Dai Jinhua is from Beijing. He graduated from the Chinese Department of Peking University and taught at the Film Literature Department of Beijing Film Academy for 11 years. He has been teaching at the Institute of Comparative Literature and Comparative Culture of Peking University since 1993. He is a distinguished professor of humanities at Peking University and the director of the Film and Cultural Research Center of Peking University. He is engaged in film, mass media and gender research, and has taught courses such as "Film Reading", "History of Chinese Film Culture" and "Theory and Practice of Cultural Research". He has lectured and visited dozens of countries and regions on five continents. He has more than ten monographs, which have been translated into multiple languages. His representative works include "Floating on the Surface of History", "Landscape in the Mist", "Film Criticism", "Invisible Writing", "The Boat of Crossing", "Yesterday's Island" and "Gender China".
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Wang Yan is a professor at the Institute of Foreign Literature, Beijing Foreign Studies University, and an adjunct professor at Columbia University. He has many years of overseas experience, traveling between Chinese and American academic circles to teach and conduct research. He has written "The Temporality and Modernity of Novels: A Study of the Temporality of Narratives in European Coming-of-Age Novels", "After Auschwitz: The Image Production of Jewish Holocaust Memory", "American Past: Hollywood Mirror and Historical Memory", and "Traveling Through the Depth of Time: From Jerusalem to New York". He has published more than 100 articles.
Table of contents · · · · · ·
Part 2: The metaphor of the three too big to fail anti-terrorist movies in the financial crisis Part 1: "Anti-terrorist era" and "Hollywood productions"
Part 2: Revisiting the Hidden History Part 4: From Film to Digital Is Film Dead?
The future of film culture under the "post-film" aesthetics of the film industry is already nostalgic?
Part 1: The Myth of Classic Dubbing Films Part 2: Here Comes the Blockbuster Part 3: The Desertification of Film Culture Part 6: Cold War Spy Films Part 1: The Invisible Front Line Part 2: The Dissolution of Post-Cold War Values Part 7: Humanities and Films on the Internet Part 3: The Disintegration and Appreciation of the Masses Part 4: "Author Death" and the Transformation of Knowledge Part 5: Artificial Intelligence and the Imagination of the Future Postscript Wang Yan